{"id":7005,"date":"2026-03-13T09:32:49","date_gmt":"2026-03-13T01:32:49","guid":{"rendered":"https:\/\/art.nthu.edu.tw\/?p=7005"},"modified":"2026-04-14T18:18:56","modified_gmt":"2026-04-14T10:18:56","slug":"enrico-elisi-%e5%a4%a7%e5%b8%ab%e7%8f%ad%e8%88%87%e9%9f%b3%e6%a8%82%e6%9c%83","status":"publish","type":"post","link":"https:\/\/art.nthu.edu.tw\/?p=7005","title":{"rendered":"Enrico Elisi \u5927\u5e2b\u73ed\u8207\u97f3\u6a02\u6703"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Enrico Elisi\uff5c<\/strong><\/p>\n

\u53f2\u5766\u5a01\u85dd\u8853\u5bb6 Enrico Elisi \u7684\u6f14\u594f\u8db3\u8de1\u904d\u53ca\u56db\u5927\u6d32\uff0c\u8d0f\u5f97\u570b\u969b\u5ee3\u6cdb\u8b9a\u8b7d\u3002\u8a55\u8ad6\u754c\u7a31\u8b9a\u4ed6\u300c\u7cbe\u6e5b\u638c\u63a7\u512a\u96c5\u3001\u6d17\u934a\u8207\u5e7b\u60f3\u300d\uff0c\u92fc\u7434\u5927\u5e2b\u840a\u6602\u00b7\u5f17\u840a\u820d\uff08Leon Fleisher\uff09\u5247\u76db\u8b9a\u4ed6\u70ba\u300c\u6975\u5177\u5929\u8ce6\u3001\u56b4\u8b39\u4e14\u9020\u8a63\u6df1\u539a\u7684\u97f3\u6a02\u5bb6\u300d\uff0c\u5176\u6f14\u594f\u4e2d\u654f\u92b3\u7684\u97f3\u6a02\u610f\u8b58\uff0c\u4f7f\u4ed6\u5f9e\u5e73\u5eb8\u7684\u8868\u6f14\u8005\u4e2d\u812b\u7a4e\u800c\u51fa\uff0c\u8e8b\u8eab\u5049\u5927\u85dd\u8853\u5bb6\u4e4b\u5217\u3002
\n\u4f5c\u70ba\u7368\u594f\u5bb6\uff0cElisi \u66fe\u8207\u4f5b\u7f85\u502b\u65af\u4ea4\u97ff\u6a02\u5718\u53ca\u96c5\u52a0\u9054\u5c0f\u4ea4\u97ff\u6a02\u5718\u7b49\u5408\u4f5c\uff1b\u5728\u5ba4\u5167\u6a02\u9818\u57df\uff0c\u4ed6\u4ea6\u662f\u7a4d\u6975\u7684\u63a8\u5ee3\u8005\uff0c\u66fe\u8207\u65b0\u5967\u798f\u5fb7\u5f26\u6a02\u56db\u91cd\u594f\u3001\u5df4\u723e\u7684\u6469\u53ca\u829d\u52a0\u54e5\u4ea4\u97ff\u6a02\u5718\u9996\u5e2d\u6f14\u594f\u5bb6\u651c\u624b\uff0c\u4e26\u5171\u540c\u5275\u7acb\u4e86\u300cElisi\u2013Pan \u92fc\u7434\u4e8c\u91cd\u594f\u300d\u3002\u8fd1\u671f\u6f14\u51fa\u4eae\u9ede\u5305\u62ec\u5728\u5317\u4eac\u6f14\u51fa\u666e\u6717\u514b\u300a\u96d9\u92fc\u7434\u5354\u594f\u66f2\u300b\uff0c\u4ee5\u53ca\u53d7\u9080\u53c3\u8207\u53f0\u7063\u300c\u6625\u4e4b\u6e05\u83ef\u300d\u85dd\u8853\u7bc0\u8207\u97d3\u570b\u97f3\u6a02\u7bc0\u3002
\n\u8eab\u70ba\u7576\u4ee3\u97f3\u6a02\u7684\u5021\u5c0e\u8005\uff0cElisi \u9996\u6f14\u4e86\u591a\u90e8\u4f5c\u54c1\uff08\u5982\u4fdd\u7f85\u00b7\u5343\u539f\u4e4b\u4f5c\uff09\u3002\u4ed6\u76ee\u524d\u64d4\u4efb\u5fb7\u5dde\u57fa\u7763\u6559\u5927\u5b78\uff08TCU\uff09Herndon \u8b1b\u5ea7\u6559\u6388\uff0c\u6b64\u524d\u66fe\u4efb\u6559\u65bc\u591a\u502b\u591a\u5927\u5b78\u8207\u4f0a\u65af\u66fc\u97f3\u6a02\u5b78\u9662\u3002\u4ed6\u66fe\u5e2b\u627f\u840a\u6602\u00b7\u5f17\u840a\u820d\uff08\u4e26\u64d4\u4efb\u5176\u52a9\u6559\uff09\u3001\u62c9\u624e\u723e\u00b7\u8c9d\u723e\u66fc\uff08Lazar Berman\uff09\u8207\u9b91\u91cc\u65af\u00b7\u4f69\u7279\u9b6f\u5c1a\u65af\u57fa\uff08Boris Petrushansky\uff09\u7b49\u50b3\u5947\u5927\u5e2b\u3002<\/p>\n

 <\/p>\n

Enrico Elisi \u5927\u5e2b\u73ed<\/strong><\/p>\n

\u6642\u9593\uff5c<\/strong>04\/13(\u4e00)19:00-21:00<\/p>\n

\u5730\u9ede\uff5c<\/strong>\u6e05\u83ef\u5927\u5b78 \u5357\u5927\u6821\u5340 \u97f3\u6a02\u7cfb\u9928<\/p>\n

Enrico Elisi \u97f3\u6a02\u6703<\/strong><\/p>\n

\u6642\u9593\uff5c<\/strong>04\/14(\u4e8c)19:00<\/p>\n

\u5730\u9ede\uff5c<\/strong>\u6e05\u83ef\u5927\u5b78 \u5357\u5927\u6821\u5340 \u97f3\u6a02\u7cfb\u9928<\/p>\n

TCU \u97f3\u6a02\u6703<\/strong><\/p>\n

\u6642\u9593\uff5c<\/strong>04\/15(\u4e09)12:00<\/p>\n

\u5730\u9ede\uff5c<\/strong>\u6e05\u83ef\u5927\u5b78 \u5357\u5927\u6821\u5340 \u97f3\u6a02\u7cfb\u9928<\/p>\n

\u5b78\u751f\u4ea4\u6d41\u97f3\u6a02\u6703<\/strong><\/p>\n

\u6642\u9593\uff5c<\/strong>04\/15(\u4e09)19:00<\/p>\n

\u5730\u9ede\uff5c<\/strong>\u6e05\u83ef\u5927\u5b78 \u5357\u5927\u6821\u5340 \u97f3\u6a02\u7cfb\u9928<\/p>\n

 <\/p>\n

Enrico Elisi\uff5c<\/strong><\/p>\n

Steinway Artist Enrico Elisi has garnered international recognition through performances across four continents, praised by critics for his “mastery of elegance, refinement, and fantasy” (La Nueva Espa\u00f1a) and “remarkable sensitivity, imagination, and polish” (The Baltimore Sun). Leon Fleisher hailed him as “a highly gifted, serious, and accomplished musician whose playing is characterized by a keen awareness of the elements of music that set the great artist apart from the pedestrian performer.” He appears as a soloist with orchestras including the Florence Symphony, Jakarta Sinfonietta, and Bay Atlantic Symphony, working with conductors Manuel Nawri, Gerardo Edelstein, and Germ\u00e1n Guti\u00e9rrez. Elisi collaborated with the New Orford String Quartet, principal players from the Baltimore and Chicago Symphony Orchestras, and Federico Agostini (former leader of I Musici), Charles Castleman, and Sung-Won Yang. He co-founded the Elisi\u2013Pan Duo with Mengyang Pan (Royal Conservatory of Music). Recent highlights include Poulenc’s Concerto for Two Pianos with the China Conservatory Symphony Orchestra in Beijing and appearances at the Namhae International Festival and Spring x Tsing Hua Arts Festival in Taiwan. Elisi has premiered numerous works. Paul Chihara dedicated one of his Reveries on Beethoven to him, and the premiere recording of Chihara’s Two Images appears on Albany Records. Elisi frequently appears at festivals including Vancouver Piano Sessions, Chautauqua, Art of the Piano, Interlochen, Bay PianoFest, Texas State, VIPA Valencia, Todi Music Masters, the Amalfi Coast and Conero Music Festivals, Borromeo, and the Sichuan International Piano Festival. Elisi holds the Harold D. and Imogene Herndon Endowed Professorship at Texas Christian University and has served on the faculty at the University of Toronto, the Eastman School of Music, and other US and Korean institutions. Among his teachers are Leon Fleisher, to whom he was assistant at the Peabody Institute, Lazar Berman, Boris Petrushansky, and Alexander Lonquich at the International Piano Academy of Imola.<\/p>\n","protected":false},"excerpt":{"rendered":"

Enrico Elisi\uff5c \u53f2\u5766\u5a01\u85dd\u8853\u5bb6 Enrico Elisi \u7684\u6f14\u594f\u8db3\u8de1\u904d\u53ca\u56db\u5927\u6d32\uff0c\u8d0f\u5f97\u570b\u969b\u5ee3\u6cdb\u8b9a\u8b7d\u3002\u8a55 […]<\/p>\n","protected":false},"author":4,"featured_media":7079,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/art.nthu.edu.tw\/index.php?rest_route=\/wp\/v2\/posts\/7005"}],"collection":[{"href":"https:\/\/art.nthu.edu.tw\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/art.nthu.edu.tw\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/art.nthu.edu.tw\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/art.nthu.edu.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7005"}],"version-history":[{"count":2,"href":"https:\/\/art.nthu.edu.tw\/index.php?rest_route=\/wp\/v2\/posts\/7005\/revisions"}],"predecessor-version":[{"id":7084,"href":"https:\/\/art.nthu.edu.tw\/index.php?rest_route=\/wp\/v2\/posts\/7005\/revisions\/7084"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/art.nthu.edu.tw\/index.php?rest_route=\/wp\/v2\/media\/7079"}],"wp:attachment":[{"href":"https:\/\/art.nthu.edu.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7005"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/art.nthu.edu.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7005"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/art.nthu.edu.tw\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7005"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}